peripheral vision

photography by Kate Wilhelm

peripheral vision blog

because making photographs exposes as much about the photographer as the subject

Archive for the ‘Uncategorized’ Category

when your hair is this big, you blog about getting it cut

Thursday, July 22nd, 2010

I got my hair cut today. And it was kind of a big deal. I ended up with three braids, each about a foot long or more, which I will donate. I was going to leave them at the salon for them to donate, but when I saw them, I realized I really, really wanted to photograph them.

I don’t know, it felt kind of significant… I’d gone into the appointment feeling like my hair was a burden I needed to rid myself of. I felt like I’d been hiding behind it for too long. But once it was cut I was all nostalgic, thinking about how long those strands had been attached to me, and what had gone into growing them. But whatever. My head is lighter and my neck is cooler. Yay!

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earth day

Thursday, April 22nd, 2010

This was once a stand of trees. A few years ago they were all razed to the ground. I have a hard time believing they destroyed the trees to create a small agricultural field in a suburban complex of houses and big box stores. More and more I am noticing the plague of plastic bags on the landscape…

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Die Antwoord and Roger Ballen

Friday, April 9th, 2010

Just before we left for South Africa, Die Antwoord started going around the Interwebs. I got a kick out of it but not in a really serious way. But yesterday I found this video (through the Photography Post – which is a great new resource, although I can’t seem to make the RSS feed work in my bloglines account).

You must watch this collaboration between Die Antwoord and Roger Ballen. I love it. (Incidentally, the video I linked to is better quality than the one embedded at TPP. I just can’t figure out how to embed it. Oh well – click over).

CONTACT

Thursday, April 8th, 2010

The CONTACT festival has launched its website for the 2010 festival. I think I’m most excited about getting to see Tony Fouhse’s USER in print (besides my workshop with Alec Soth of course). His show is at Pikto Gallery if you’re in the area, and I plan to go to the opening on May 7 (unless I collapse from information overload during my workshop).

I noticed the other day that Pikto is also offering two workshops with Donald Weber in May, both of which I’ve taken and highly recommend for anyone interested in deepening their photographic practice. Documentary Photography is a two-day workshop with a week for shooting an assignment in between, and Grant Writing is one day. I didn’t take it to learn how to apply for grants; I took it because I’ve been struggling to write about my photography. He broke down an approach to writing about your work, a structure. But more importantly, he gave me confidence to trust myself – to BE myself when writing about my work. For so long, I’ve been wishing someone smart would come and tell me what’s going on in my pictures on a deeper level. (Don didn’t do that.) I thought that to be successful in the art photography world you have use academic language and concepts, but Don emphasized straight honesty to the point of rawness. And he’s won a number of lucrative grants so the proof is in the pudding.

Anyways, back to CONTACT. I have to say, I’m more than a little disappointed with TVO’s programming. Most of the films were also played last year, with only a few exceptions. But the talks for the festival look great. The Magnum workshop instructors will all be speaking in the evenings during the first week of May. I’m also pretty keen to check out the panel discussion about contemporary African photography.

I think I’m getting close to a final edit of my Woodstock work. In the meantime, I’ll leave you with this image, which didn’t make it into my first edit, but which is becoming a favourite.

Jeffrey and Dennis

holiday weekend

Thursday, April 1st, 2010

Sometimes I love my neighbourhood.

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You think it’s all boring all the time, then you come across these treasures of whimsy. Again and again, I ask myself: Who lives here??? Who DOES this??? People are weird and wonderful.

Araminta de Clermont

Saturday, March 13th, 2010

AramintadeClermontmatric

I didn’t end up making it out to many galleries in Cape Town, but we did go to the SA National Gallery, where I fell in love with Araminta de Clermont’s Matric Queens (the complete body of work was exhibited at another Joao Ferreira Gallery in October 2009 with the name Before Life).

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I’m sad that she doesn’t appear to have her own website, but I did find a couple of great audio slideshows of her work. This one features Before Life, the pictures of Matric Queens, and this one features her earlier work about former prisoners and their tattoes, Life After. Go check both of them out. You won’t be sorry.

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leaving

Tuesday, March 9th, 2010

So it’s our last day here. Our flight leaves just after midnight tonight. I am NOT looking forward to getting on an airplane with an overtired, overheated, overexcited little kid. But what can you do? We have to go home, and we’re definitely ready to go, I think. This morning was cool and cloudy, but the sun is coming out now. Yesterday we withered in 45-degree heat. Well, it was only 35 degrees Celsius inside. It made me realize how divorced we are in Canada from the outside world with all our central heating and air conditioning and screened windows.

Overall, I’m glad we made the trip and it was the right thing to do, but I have to say that it was definitely harder than I expected. It’s a long time for our little guy to be away from home and the familiar, and I don’t know if I’ll be keen to do it again any time soon. I didn’t realize when we left, but I think my expectations were just way too high after our last two trips here. This trip was much more real, and real life is boring and itchy and annoying in addition to the warmth and sunshine and honey.

It strikes me now that I’ve done a lousy job of documenting the trip for my son’s memory. But everywhere we went we’d already been to with him when he was one, and it felt like I would just be taking the same pictures over again, only with him bigger and longer. Perhaps I should take a minute this morning to write down the experiences I want to remember, for myself or for my son, before the delirium of the long flight home erases them.

First, the car guards. They’re men who don flourescent-coloured vests and they wave you into your parking spot and then keep an eye on your car while you go about your business. Then you give them a few rands when you come back. I’ve always wondered what they would actually do if someone tried to break into your car, and I hope it’s nothing. But I suppose just the eyes can be a bit of a deterrent. Mostly, I think it’s an opportunity to help someone out in a country with an unemployment rate estimated somewhere around 40 percent (though the government’s official number is 22 percent – I think they count the streetside vendors and car guards as employed).

When we went to the museum in Company Gardens, we parked on a back street. There weren’t many people around at all, but there was a car guard there, with a bucket of murky water for washing the cars I guess. He had a couple friends hanging out with him, and when we returned, they were all clearly drunk and pouring more vodka from the bottle. The car guard was quite taken with our son: “I can see that he is a Man of God. You are a Man of God. Praise Jesus Christ. He is a Man of God, a good man….” He went on like that for some time, until eventually I’d strapped our son into the car seat and we were in the car. I’m glad they were happy drunk, but since it was only about 2 in the afternoon, I’m not sure the cheerfulness would endure the whole night.

The other night we ate at an Indian restaurant in Upper Woodstock, called Chandani. They have a fountain in their front stoep and our son pulled us out there throughout the meal. A car guard stood at the gate, and immediately he called to my son: “I have something for you, my brother. What’s your name?” And the car guard pulled out a necklace he made to sell, and he put it around my son’s neck. It was a leather string with a few beads and a leather cross on it. My son loved it. The car guard told him he sells the necklace to buy milk for his children, allying my son to his cause. He wanted 50 rands for it, but I didn’t have that and I wasn’t about to pay that for it anyways. When I made to take it off my son’s neck, he said we mustn’t do that, so we negotiated. In the end, I gave him the change in my pocket, which totalled 10 rands.

Later, during another trip to the fountain, he told me his name was Robert and he’s from Sudan. He has a wife and two little kids aged 1 and 3, who are waiting for him to earn enough money to stay at the Loaves and Fishes shelter in nearby Observatory. It costs 38 rands. If he doesn’t make that amount by 11 pm, they will have to sleep rough. Having a foreign accent generally brings out everyone’s sad stories, and they might not always be true, but even if this story is not true for him, I’m sure it’s true for someone.

The amount we spent on dinner for 7 of us that night would have paid the monthy rent for two of the independent-living residents in the Haven Old Age Home I photographed in Woodstock, and would have paid for Robert and his family to be sheltered for 24 nights. The disparity in resources here is shocking and shaming. And the currently strong Canadian dollar can’t explain it all, because many South Africans spend similar amounts on dinners out.

As someone said in one of the books I read here (I can’t remember which one), you have to have a thick skin to live in Cape Town.

I think my son might most want to remember the helicopters that put out fires on the mountain. One day I returned home from a morning of photographing in Woodstock to see several helicopters with their red water buckets dangling. They fly down to the ocean to fill up the bucket with water, then they fly back to the fire and dump the water on it. Apparently while I was away, there was a fire right behind our house on Lion’s Head. My husband and son could even see big flames. So they watched all the activity, and when I came home, my son said sadly, “There’s no more helicopters. There’s no more fire for them to put out.” His lower lip stuck out. I don’t think he really gets the problem with fire.

So now we will pack, and maybe pick up a few mementoes from the trip, and I’m hoping to get some small prints for the people who were kind enough to let me in to photograph them in Woodstock and give them back. And then, I suppose, waiting. Waiting for the airplanes to take off, waiting for them to land, waiting to open our front door and – fingers crossed – say we survived.

Woodstock

Monday, March 8th, 2010

Only two days left in Cape Town, and then back to Canada. From facebook, it looks like people at home enjoyed a lovely spring weekend, while we melted here. It’s been seriously, oppressively hot. I try not to complain, coming from the land of snow and ice and all, but even long-time Capetonians are complaining. (Which reminds me, one of the servers at a restaurant we ate at a week or so ago was shocked to hear that parts of Canada also get oppressively hot and humid in the summer. He seriously thought it was cold and icy all yea-round.)

So I’ve been working on my project, which is about Woodstock, an area of light industry and modest homes quite close to the central business district. I suppose the project isn’t so much about Woodstock, as it is situated in Woodstock, and perhaps about the things that draw me in in Woodstock. Many people have told me that Woodstock is seriously dangerous, and others, who live and work in Woodstock have told me it’s completely safe. But they all agree that it would be crazy for me to walk around with my camera by myself. So I don’t. I’ve had wonderful help from people. I find the South African idea of safety fascinating. I suspect that Woodstock IS safe by South African standards, and the people who say it’s not just haven’t been in a while. There’s a lot of work been happening there to clean up the place and get rid of the drug dealers in the last several years, and there’s lots of new and cool development happening there.

But of course, I’ve found I’m just not that into the new development. I’m more interested in encountering regular people and their daily lives, and the bits of graffiti, both good and bad. I came with an idea of what I wanted to photograph, but as usual, that’s not necessarily what I end up photographing. I’m not too sure yet how the project will end up. I think I’ll need time and distance from which to reflect and figure it out. This morning I’m heading back for my last time.

We leave late tomorrow night.

never-before-seen pictures from Cuba

Friday, November 13th, 2009

Here are some pictures from our 2008 trip to Cuba that I never uploaded. Not sure why I didn’t upload them, because I’ve always like them, but I don’t think they offered enough of the spectacle at the time. I was also really into heavy post-processing, and these pictures just didn’t work for that. I’m hoping that sometime during nablopomo I will write about how my eye has changed over time, but not tonight. I’m tired, and besides, poor, cancelled Dollhouse is on tonight (I hope). So here you go:

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Those are all from Varadero.

This one, which I did upload to flickr, but didn’t put in any galleries here, is from Havana. It remains a favourite of mine, even though the cafe ripped us off for breakfast.
8 am drinking

more neighbours shots

Wednesday, November 11th, 2009

Here are some pictures of Ron and Leona.

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